This third iteration of the Triennial is titled â€œSurround Audienceâ€ and will feature fifty-one artists and artist collectives from over twenty-five countries; for many of the participants, this will be their first inclusion in a museum exhibition in the United States.
Cornell and Trecartin have worked together for nearly a decade and they each bring a shared passion for probing the social and psychological effects of digital technology. For Cornell, â€œSurround Audienceâ€ is inspired in part by Trecartinâ€™s own artistic practice, which, as she describes, â€œvividly manifests a world in which the effects of technology and late capitalism have been absorbed into our bodies and altered our vision of the world.â€ A tension between the newfound freedoms and threats of todayâ€™s society animates and anchors â€œSurround Audience.â€
We are surrounded by a culture replete with impressions of life, be they visual, written, or construed through data. We move through streams of chatter, swipe past pictures of other peopleâ€™s lives, and frame our own experiences as, all the while, our digital trails are subtly captured, tracked, and stored. This is a culture in which the radical multimedia environments envisioned by pioneering artists like Nam June Paik and Stan VanDerBeek are being lived out every day, albeit with much more complexity and compromise. With these transformations in mind, â€œSurround Audienceâ€ explores how artists are currently depicting subjectivity, unpacking complex systems of power, and claiming sites of artistic agency.
While issues around social media provide a point of departure for the exhibition, it is not the platforms themselves that are the exhibitionâ€™s primary focus, but rather the ways their associated effects intersect with life. Among the many narratives and ideas emerging from the works, there are three recurring lines of inquiry: First, how representations of the body and persona have evolved in an image-laden culture in which surveillance is widely dispersed and editorializing oneâ€™s life in public is the norm; second, if it might be possible to opt out of or reframe the pressures of increasingly corporatized and invasive spaces; and third, how artists are striving to embed their works in the world around them through incursions into media and activism.
The exhibition encompasses a variety of artistic practices, including sound, dance, comedy, poetry, installation, sculpture, painting, video, and one online talk show. If there is any aesthetic link between these diverse works it is in their energetic mutability of form. Together, these works speak to a newfound elasticity in our understanding of what mediums constitute contemporary art. Here, paintings evolve out of 3-D models, digital images erupt into sculpture, and sound becomes action. This is a group of works that attests to how form is continuously converted across word, image, and medium.
Includes work by Luke Willis Thompson
25 February – 24 May 2015
New Museum, New York, United States of America< BACK TO LISTINGS