Poland, Lithuania, Melbourne, Cambridge and Rarotonga.
Using wool, recycled plastic bags or items from discount outlets and opportunity shops, Ani makes objects which draw on traditional Cook Island handcraft skills to communicate the cultural values and teachings of her Cook Island Grandmother and their importance today. In this, her work embodies numerous issues- Post Colonialism, the environment, identity politics, institutional hierarchies, consumerism, world peace etc. Described as an ‘artistic provocateur’ and 'change agent’ whose work is ‘thought provoking and highly original’ (Isha Welsh), a unique and subversive aspect of Ani's practise lies in her ability to break down the barriers between people and art-world institutions, often creating an ‘awareness’ and a sense of community through cultural exchange and connective experience rather than pushing any individual statement. This has attributed to her growing international profile and status.
In recent years, Ani has spent an increasing amount of the travelling between her new home in Rarotonga and Auckland New Zealand. A current focus has been the development of works that can grow project to project and adapt to tour like the ‘Kikau Broom project’, a school fundraiser, reviving local craft, which has become an exhibition itself and a component in numerous exhibitions.
Ani has exhibited in a number of group and solo exhibitions including: High Tide, Zacheta National Gllery of Art in Warsaw, Poland, and The Contemporary Art Centre in Vilnius, Lithuania, 2006; LATITUDES 2005, Paris Town Hall, France, 2005; The Buddy System, Art In General Artist in Residence, New York City, 2004; 9th Festival of Pacific Arts, Belau, The Federated States of Micronesia, 2004; apexart Artist in Residence, Tribeca, New York City; Art and Industry/SCAPE Artist in Residence, Rangiruru Girls’ School,Christchurch, 2003; The Auckland Triennial/Bright Paradise, Auckland Art Gallery/Toi o Tamaki, NZ, 2001; Lisa Reihana and Pacific Sisters, Biennale of Sydney, Australia, 2000; Biennale of Noumea, Tjibaou Centre Culturale, New Caledonia, 2000; Everyday, Biennale of Sydney, Australia, 1998; Cottage Industry (solo show), City Gallery, Wellington, 1997.